The Innocents

I've been the author of a series over at RogerEbert.com called The Unloved for the last ten months. It's been a great opportunity to kind of figure out what cinematic tendencies most effect me. I've been building a home out of the grammar of some of cinema's most notorious failures. This month's installment, M. Night Shyamalan's The Village, is a film I have over a decade's worth of history with. So I released a version that's all analysis of the elegiac moral tale over at the sight. Below is a version that touches on my time as an extra in the movie and how being close to a film can cloud your judgment of it. It took me a long time before I could really see what a beautiful film this was. It's the one film of his that I still return to, even though I have unending respect for The Sixth Sense and Unbreakable. It's in many ways a prelude to another American masterpiece, The Assassination of Jesse James by the Coward Robert Ford. 

The Unloved - The Village - Director's Cut from Scout Tafoya on Vimeo.